Their name Hayseed Dixie is a phonetic reversioning of AC/DC.Now with two stops in Berkshire on their current national tour, we speak to beer-swilling frontman Barley Scotch about AC/DC, their new album and errr, sustaining mankind. Reviews You are in: Berkshire > Entertainment > Music > Reviews > Hillbilly rockįive years ago they introduced the world to their 'rockgrass'. THEY CALLED IT THE HILLBILLY ROCK FULLMarcos' living room is full of such gear: four-track tape machines, eight-track tape machines, and even a typewriter.This page has been archived and is no longer updated. They use old gear that gets passed from hand to hand. Trash rock bands are anathema to everything else that's happening in modern music: They shun recording studios, use analog gear, and want to sound as unpolished as possible. Bands who helped concretize 'trash' as a subgenre within punk - first, early punk bands like Iggy & the Stooges, the Ramones, the Cramps, and the Gun Club, and later, garage outfits like the Gories and the Mummies - rely on simple song structures, primitive rhyme schemes, and silly teenage lyrics, and compensate in speed and energy for what they lack in musical depth. It's equally indebted to country singers like Hank Williams, Johnny Cash, and Hasil Adkins, the Appalachian bluesman who often is credited for inventing psychobilly. Trash rock harkens back to old-style rock 'n roll - the kind played by Bo Diddley, Chuck Berry, and Link Wray, and later appropriated by groups such as the Kingsmen, the Yardbirds, and the Kinks, whose song 'You Really Got Me' pretty much ushered in the punk rock era, according to Marcos. (Asked to comment for this article, he said he would try to call from a pay phone). It features other bands in the same intentionally trashy vein, including the Losin' Streaks from Sacramento, a Chico psychobilly trio called the Shankers, Castro Valley five-piece the Flakes, several from Southern California, a Texas-born singer known as the Legendary Stardust Cowboy, and a mysterious character called NoBunny, who performs in a bunny headpiece and seems like the trash rock analogue to rapper MF Doom. To celebrate the release of the band's album, Marcos organized the TrashCanFrancisco Festival, which kicks off on New Year's Eve and culminates on January 3 at 924 Gilman Street. Marcos said their new album, Hillbilly Psychosis, sounds 'like it came from a garbage can.' And yet, their fan base appears to be growing. Today they represent a revival in something called 'trash rock,' a subgenre of punk that's intentionally crass and deliberately anachronistic - the product of suburban kids who fetishize a kind of low-class rockabilly culture that emerged in the '50s and '60s. Not surprisingly, the band was a hit at co-op parties or other taste-optional affairs. The Adventure Kids would cram twelve or thirteen songs into a twenty-minute set, sometimes capping off with a song called 'Food Fight,' which ended with Marcos spraying the audience with chocolate sauce. They weren't quite proficient at their instruments but nonetheless became a successful power trio, known for strident, three-chord rock songs with tawdry lyrics (i.e., 'Fried Chicken,' 'Panties in My Pocket,' or 'Boobies, Rock 'n Roll, Hot Dog, and a Jelly Roll'). He had formed the group out of Stebbins Co-Op in 2000 with two other Cal students, bassist Oscar Michelle and Amy Pecis on drums. Related Stories: Rock n Roll Adventure Kids, trash rock, NoBunny, The Losin' Streaks, The Flakes Article Tools Once 'Fried Chicken,' became a full-fledged song, Ribak, whose stage name is Marcos, foisted it on his band, a garage outfit called the Rock n Roll Adventure Kids. Some people considered it an assault against taste. Over a few days of practicing he developed 'Fried Chicken' into a very simplified twelve-bar blues, strummed at hair-trigger speed and accentuated by jerky dance moves. He usually played it while jumping around the room in his underwear. At that time the song consisted of a single chord and the words fried chicken, fried chicken, bok-bok-bok, fried chicken repeated over and over again. Seven years ago, Marc Ribak used to play the song 'Fried Chicken' from the window of his UC Berkeley student coop - a big, shabby-looking place called Kingman Hall.
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